The Descent of Man and Other Stories Page 12
Mrs. Lethbury took a touching pride in her daughter’s first steps in the world. She expected Jane to take by her complexion those whom she did not capture by her learning. But Jane’s rosy freshness did not work any perceptible ravages. Whether the young men guessed the axioms on her lips and detected the encyclopaedia in her eye, or whether they simply found no intrinsic interest in these features, certain it is, that, in spite of her mother’s heroic efforts, and of incessant calls on Lethbury’s purse, Jane, at the end of her first season, had dropped hopelessly out of the running. A few duller girls found her interesting, and one or two young men came to the house with the object of meeting other young women; but she was rapidly becoming one of the social supernumeraries who are asked out only because they are on people’s lists.
The blow was bitter to Mrs. Lethbury; but she consoled herself with the idea that Jane had failed because she was too clever. Jane probably shared this conviction; at all events she betrayed no consciousness of failure. She had developed a pronounced taste for society, and went out, unweariedly and obstinately, winter after winter, while Mrs. Lethbury toiled in her wake, showering attentions on oblivious hostesses. To Lethbury there was something at once tragic and exasperating in the sight of their two figures, the one conciliatory, the other dogged, both pursuing with unabated zeal the elusive prize of popularity. He even began to feel a personal stake in the pursuit, not as it concerned Jane, but as it affected his wife. He saw that the latter was the victim of Jane’s disappointment: that Jane was not above the crude satisfaction of “taking it out” of her mother. Experience checked the impulse to come to his wife’s defence; and when his resentment was at its height, Jane disarmed him by giving up the struggle.
Nothing was said to mark her capitulation; but Lethbury noticed that the visiting ceased, and that the dressmaker’s bills diminished. At the same time, Mrs. Lethbury made it known that Jane had taken up charities; and before long Jane’s conversation confirmed this announcement. At first Lethbury congratulated himself on the change; but Jane’s domesticity soon began to weigh on him. During the day she was sometimes absent on errands of mercy; but in the evening she was always there. At first she and Mrs. Lethbury sat in the drawing-room together, and Lethbury smoked in the library; but presently Jane formed the habit of joining him there, and he began to suspect that he was included among the objects of her philanthropy.
Mrs. Lethbury confirmed the suspicion. “Jane has grown very serious-minded lately,” she said. “She imagines that she used to neglect you, and she is trying to make up for it. Don’t discourage her,” she added innocently.
Such a plea delivered Lethbury helpless to his daughter’s ministrations: and he found himself measuring the hours he spent with her by the amount of relief they must be affording her mother. There were even moments when he read a furtive gratitude in Mrs. Lethbury’s eye.
But Lethbury was no hero, and he had nearly reached the limit of vicarious endurance when something wonderful happened. They never quite knew afterward how it had come about, or who first perceived it; but Mrs. Lethbury one day gave tremulous voice to their inferences.
“Of course,” she said, “he comes here because of Elise.” The young lady in question, a friend of Jane’s, was possessed of attractions which had already been found to explain the presence of masculine visitors.
Lethbury risked a denial. “I don’t think he does,” he declared.
“But Elise is thought very pretty,” Mrs. Lethbury insisted.
“I can’t help that,” said Lethbury doggedly.
He saw a faint light in his wife’s eyes; but she remarked carelessly: “Mr. Budd would be a very good match for Elise.”
Lethbury could hardly repress a chuckle: he was so exquisitely aware that she was trying to propitiate the gods.
For a few weeks neither said a word; then Mrs. Lethbury once more reverted to the subject.
“It is a month since Elise went abroad,” she said.
“Is it?”
“And Mr. Budd seems to come here just as often—”
“Ah,” said Lethbury with heroic indifference; and his wife hastily changed the subject.
Mr. Winstanley Budd was a young man who suffered from an excess of manner. Politeness gushed from him in the driest seasons. He was always performing feats of drawing-room chivalry, and the approach of the most unobtrusive female threw him into attitudes which endangered the furniture. His features, being of the cherubic order, did not lend themselves to this role; but there were moments when he appeared to dominate them, to force them into compliance with an aquiline ideal. The range of Mr. Budd’s social benevolence made its object hard to distinguish. He spread his cloak so indiscriminately that one could not always interpret the gesture, and Jane’s impassive manner had the effect of increasing his demonstrations: she threw him into paroxysms of politeness.
At first he filled the house with his amenities; but gradually it became apparent that his most dazzling effects were directed exclusively to Jane. Lethbury and his wife held their breath and looked away from each other. They pretended not to notice the frequency of Mr. Budd’s visits, they struggled against an imprudent inclination to leave the young people too much alone. Their conclusions were the result of indirect observation, for neither of them dared to be caught watching Mr. Budd: they behaved like naturalists on the trail of a rare butterfly.
In his efforts not to notice Mr. Budd, Lethbury centred his attentions on Jane; and Jane, at this crucial moment, wrung from him a reluctant admiration. While her parents went about dissembling their emotions, she seemed to have none to conceal. She betrayed neither eagerness nor surprise; so complete was her unconcern that there were moments when Lethbury feared it was obtuseness, when he could hardly help whispering to her that now was the moment to lower the net.
Meanwhile the velocity of Mr. Budd’s gyrations increased with the ardor of courtship: his politeness became incandescent, and Jane found herself the centre of a pyrotechnical display culminating in the “set piece” of an offer of marriage.
Mrs. Lethbury imparted the news to her husband one evening after their daughter had gone to bed. The announcement was made and received with an air of detachment, as though both feared to be betrayed into unseemly exultation; but Lethbury, as his wife ended, could not repress the inquiry, “Have they decided on a day?”
Mrs. Lethbury’s superior command of her features enabled her to look shocked. “What can you be thinking of? He only offered himself at five!”
“Of course—of course—” stammered Lethbury—“but nowadays people marry after such short engagements—”
“Engagement!” said his wife solemnly. “There is no engagement.”
Lethbury dropped his cigar. “What on earth do you mean?”
“Jane is thinking it over.”
“Thinking it over?” “She has asked for a month before deciding.”
Lethbury sank back with a gasp. Was it genius or was it madness? He felt incompetent to decide; and Mrs. Lethbury’s next words showed that she shared his difficulty.
“Of course I don’t want to hurry Jane—”
“Of course not,” he acquiesced.
“But I pointed out to her that a young man of Mr. Budd’s impulsive temperament might—might be easily discouraged—”
“Yes; and what did she say?”
“She said that if she was worth winning she was worth waiting for.”
VI
The period of Mr. Budd’s probation could scarcely have cost him as much mental anguish as it caused his would-be parents-in-law.
Mrs. Lethbury, by various ruses, tried to shorten the ordeal, but Jane remained inexorable; and each morning Lethbury came down to breakfast with the certainty of finding a letter of withdrawal from her discouraged suitor.
When at length the decisive day came, and Mrs. Lethbury, at its close, stole into the library with an air of chastened joy, they stood for a moment without speaking; then Mrs. Lethbury paid a fitting tribute to th
e proprieties by faltering out: “It will be dreadful to have to give her up—”
Lethbury could not repress a warning gesture; but even as it escaped him, he realized that his wife’s grief was genuine.
“Of course, of course,” he said, vainly sounding his own emotional shallows for an answering regret. And yet it was his wife who had suffered most from Jane!
He had fancied that these sufferings would be effaced by the milder atmosphere of their last weeks together; but felicity did not soften Jane. Not for a moment did she relax her dominion: she simply widened it to include a new subject. Mr. Budd found himself under orders with the others; and a new fear assailed Lethbury as he saw Jane assume prenuptial control of her betrothed. Lethbury had never felt any strong personal interest in Mr. Budd; but, as Jane’s prospective husband, the young man excited his sympathy. To his surprise, he found that Mrs. Lethbury shared the feeling.
“I’m afraid he may find Jane a little exacting,” she said, after an evening dedicated to a stormy discussion of the wedding arrangements. “She really ought to make some concessions. If he wants to be married in a black frock-coat instead of a dark gray one—” She paused and looked doubtfully at Lethbury.
“What can I do about it?” he said.
“You might explain to him—tell him that Jane isn’t always—”
Lethbury made an impatient gesture. “What are you afraid of? His finding her out or his not finding her out?”
Mrs. Lethbury flushed. “You put it so dreadfully!”
Her husband mused for a moment; then he said with an air of cheerful hypocrisy: “After all, Budd is old enough to take care of himself.”
But the next day Mrs. Lethbury surprised him. Late in the afternoon she entered the library, so breathless and inarticulate that he scented a catastrophe.
“I’ve done it!” she cried.
“Done what?”
“Told him.” She nodded toward the door. “He’s just gone. Jane is out, and I had a chance to talk to him alone.”
Lethbury pushed a chair forward and she sank into it.
“What did you tell him? That she is not always—”
Mrs. Lethbury lifted a tragic eye. “No; I told him that she always is—”
“Always is—?”
“Yes.”
There was a pause. Lethbury made a call on his hoarded philosophy. He saw Jane suddenly reinstated in her evening seat by the library fire; but an answering chord in him thrilled at his wife’s heroism.
“Well—what did he say?”
Mrs. Lethbury’s agitation deepened. It was clear that the blow had fallen.
“He…he said…that we…had never understood Jane… or appreciated her…” The final syllables were lost in her handkerchief, and she left him marvelling at the mechanism of a woman.
After that, Lethbury faced the future with an undaunted eye. They had done their duty—at least his wife had done hers—and they were reaping the usual harvest of ingratitude with a zest seldom accorded to such reaping. There was a marked change in Mr. Budd’s manner, and his increasing coldness sent a genial glow through Lethbury’s system. It was easy to bear with Jane in the light of Mr. Budd’s disapproval.
There was a good deal to be borne in the last days, and the brunt of it fell on Mrs. Lethbury. Jane marked her transition to the married state by an appropriate but incongruous display of nerves. She became sentimental, hysterical and reluctant. She quarrelled with her betrothed and threatened to return the ring. Mrs. Lethbury had to intervene, and Lethbury felt the hovering sword of destiny. But the blow was suspended. Mr. Budd’s chivalry was proof against all his bride’s caprices, and his devotion throve on her cruelty. Lethbury feared that he was too faithful, too enduring, and longed to urge him to vary his tactics. Jane presently reappeared with the ring on her finger, and consented to try on the wedding-dress; but her uncertainties, her reactions, were prolonged till the final day.
When it dawned, Lethbury was still in an ecstasy of apprehension. Feeling reasonably sure of the principal actors, he had centred his fears on incidental possibilities. The clergyman might have a stroke, or the church might burn down, or there might be something wrong with the license. He did all that was humanly possible to avert such contingencies, but there remained that incalculable factor known as the hand of God. Lethbury seemed to feel it groping for him.
In the church it almost had him by the nape. Mr. Budd was late; and for five immeasurable minutes Lethbury and Jane faced a churchful of conjecture. Then the bridegroom appeared, flushed but chivalrous, and explaining to his father-in-law under cover of the ritual that he had torn his glove and had to go back for another.
“You’ll be losing the ring next,” muttered Lethbury; but Mr. Budd produced this article punctually, and a moment or two later was bearing its wearer captive down the aisle.
At the wedding-breakfast Lethbury caught his wife’s eye fixed on him in mild disapproval, and understood that his hilarity was exceeding the bounds of fitness. He pulled himself together, and tried to subdue his tone; but his jubilation bubbled over like a champagne-glass perpetually refilled. The deeper his draughts, the higher it rose.
It was at the brim when, in the wake of the dispersing guests, Jane came down in her travelling-dress and fell on her mother’s neck.
“I can’t leave you!” she wailed, and Lethbury felt as suddenly sobered as a man under a douche. But if the bride was reluctant her captor was relentless. Never had Mr. Budd been more dominant, more aquiline. Lethbury’s last fears were dissipated as the young man snatched Jane from her mother’s bosom and bore her off to the brougham.
The brougham rolled away, the last milliner’s girl forsook her post by the awning, the red carpet was folded up, and the house door closed. Lethbury stood alone in the hall with his wife. As he turned toward her, he noticed the look of tired heroism in her eyes, the deepened lines of her face. They reflected his own symptoms too accurately not to appeal to him. The nervous tension had been horrible. He went up to her, and an answering impulse made her lay a hand on his arm. He held it there a moment.
“Let us go off and have a jolly little dinner at a restaurant,” he proposed.
There had been a time when such a suggestion would have surprised her to the verge of disapproval; but now she agreed to it at once.
“Oh, that would be so nice,” she murmured with a great sigh of relief and assuagement.
Jane had fulfilled her mission after all: she had drawn them together at last.
THE RECKONING
I
“THE marriage law of the new dispensation will be: Thou shalt not be unfaithful—to thyself.”
A discreet murmur of approval filled the studio, and through the haze of cigarette smoke Mrs. Clement Westall, as her husband descended from his improvised platform, saw him merged in a congratulatory group of ladies. Westall’s informal talks on “The New Ethics” had drawn about him an eager following of the mentally unemployed—those who, as he had once phrased it, liked to have their brain-food cut up for them. The talks had begun by accident. Westall’s ideas were known to be “advanced,” but hitherto their advance had not been in the direction of publicity. He had been, in his wife’s opinion, almost pusillanimously careful not to let his personal views endanger his professional standing. Of late, however, he had shown a puzzling tendency to dogmatize, to throw down the gauntlet, to flaunt his private code in the face of society; and the relation of the sexes being a topic always sure of an audience, a few admiring friends had persuaded him to give his after-dinner opinions a larger circulation by summing them up in a series of talks at the Van Sideren studio.
The Herbert Van Siderens were a couple who subsisted, socially, on the fact that they had a studio. Van Sideren’s pictures were chiefly valuable as accessories to the mise en scene which differentiated his wife’s “afternoons” from the blighting functions held in long New York drawing-rooms, and permitted her to offer their friends whiskey-and-soda instead of tea. Mrs. Van Sidere
n, for her part, was skilled in making the most of the kind of atmosphere which a lay-figure and an easel create; and if at times she found the illusion hard to maintain, and lost courage to the extent of almost wishing that Herbert could paint, she promptly overcame such moments of weakness by calling in some fresh talent, some extraneous re-enforcement of the “artistic” impression. It was in quest of such aid that she had seized on Westall, coaxing him, somewhat to his wife’s surprise, into a flattered participation in her fraud. It was vaguely felt, in the Van Sideren circle, that all the audacities were artistic, and that a teacher who pronounced marriage immoral was somehow as distinguished as a painter who depicted purple grass and a green sky. The Van Sideren set were tired of the conventional color-scheme in art and conduct.
Julia Westall had long had her own views on the immorality of marriage; she might indeed have claimed her husband as a disciple. In the early days of their union she had secretly resented his disinclination to proclaim himself a follower of the new creed; had been inclined to tax him with moral cowardice, with a failure to live up to the convictions for which their marriage was supposed to stand. That was in the first burst of propagandism, when, womanlike, she wanted to turn her disobedience into a law. Now she felt differently. She could hardly account for the change, yet being a woman who never allowed her impulses to remain unaccounted for, she tried to do so by saying that she did not care to have the articles of her faith misinterpreted by the vulgar. In this connection, she was beginning to think that almost every one was vulgar; certainly there were few to whom she would have cared to intrust the defence of so esoteric a doctrine. And it was precisely at this point that Westall, discarding his unspoken principles, had chosen to descend from the heights of privacy, and stand hawking his convictions at the street-corner!
It was Una Van Sideren who, on this occasion, unconsciously focussed upon herself Mrs. Westall’s wandering resentment. In the first place, the girl had no business to be there. It was “horrid”—Mrs. Westall found herself slipping back into the old feminine vocabulary—simply “horrid” to think of a young girl’s being allowed to listen to such talk. The fact that Una smoked cigarettes and sipped an occasional cocktail did not in the least tarnish a certain radiant innocency which made her appear the victim, rather than the accomplice, of her parents’ vulgarities. Julia Westall felt in a hot helpless way that something ought to be done—that some one ought to speak to the girl’s mother. And just then Una glided up.