The Hermit and the Wild Woman, and Other Stories Page 10

  “Oh, I shan’t dress this evening—I shall just have some tea in the library after you’ve gone,” she answered absently. “Your things are laid out,” she added, rousing herself.

  He looked surprised. “The dinner’s at seven. I suppose the speeches will begin at nine. I thought you were coming to hear them.”

  She wavered. “I don’t know. I think not. Mrs. Sperry’s ill, and I’ve no one else to go with.”

  He glanced at his watch. “Why not get hold of Dawnish? Wasn’t he here just now? Why didn’t you ask him?”

  She turned toward her dressing-table, and straightened the comb and brush with a nervous hand. Her husband had given her, that morning, two tickets for the ladies’ gallery in Hamblin Hall, where the great public dinner of the evening was to take place—a banquet offered by the faculty of Wentworth to visitors of academic eminence—and she had meant to ask Dawnish to go with her: it had seemed the most natural thing to do, till the end of his visit came, and then, after all, she had not spoken….

  “It’s too late now,” she murmured, bending over her pin cushion.

  “Too late? Not if you telephone him.”

  Her husband came toward her, and she turned quickly to face him, lest he should suspect her of trying to avoid his eye. To what duplicity was she already committed!

  Ransom laid a friendly hand on her arm: “Come along, Margaret. You know I speak for the bar.” She was aware, in his voice, of a little note of surprise at his having to remind her of this.

  “Oh, yes. I meant to go, of course—”

  “Well, then—” He opened his dressing-room door, and caught a glimpse of the retreating house-maid’s skirt. “Here’s Maria now. Maria! Call up Mr. Dawnish—at Mrs. Creswell’s, you know. Tell him Mrs. Ransom wants him to go with her to hear the speeches this evening—the speeches, you understand?—and he’s to call for her at a quarter before nine.”

  Margaret heard the Irish “Yessir” on the stairs, and stood motionless, while her husband added loudly: “And bring me some towels when you come up.” Then he turned back into his wife’s room.

  “Why, it would be a thousand pities for Guy to miss this. He’s so interested in the way we do things over here—and I don’t know that he’s ever heard me speak in public.” Again the slight note of fatuity! Was it possible that Ransom was a fatuous man?

  He paused in front of her, his short-sighted unobservant glance concentrating itself unexpectedly on her face.

  “You’re not going like that, are you?” he asked, with glaring eye-glasses.

  “Like what?” she faltered, lifting a conscious hand to the velvet at her throat.

  “With your hair in such a fearful mess. Have you been shampooing it? You look like the Brant girl at the end of a tennis-match.”

  The Brant girl was their horror—the horror of all right-thinking Wentworth; a laced, whale-boned, frizzle-headed, high-heeled daughter of iniquity, who came—from New York, of course—on long, disturbing, tumultuous visits to a Wentworth aunt, working havoc among the freshmen, and leaving, when she departed, an angry wake of criticism that ruffled the social waters for weeks. She, too, had tried her hand at Guy—with ludicrous unsuccess. And now, to be compared to her—to be accused of looking “New Yorky!” Ah, there are times when husbands are obtuse; and Ransom, as he stood there, thick and yet juiceless, in his dry legal middle age, with his wiry dust-coloured beard, and his perpetual pince-nez, seemed to his wife a sudden embodiment of this traditional attribute. Not that she had ever fancied herself, poor soul, a ”femme incomprise.” She had, on the contrary, prided herself on being understood by her husband, almost as much as on her own complete comprehension of him. Wentworth laid a good deal of stress on “motives”; and Margaret Ransom and her husband had dwelt in a complete community of motive. It had been the proudest day of her life when, without consulting her, he had refused an offer of partnership in an eminent New York firm because he preferred the distinction of practising in Wentworth, of being known as the legal representative of the University. Wentworth, in fact, had always been the bond between the two; they were united in their veneration for that estimable seat of learning, and in their modest yet vivid consciousness of possessing its tone. The Wentworth “tone” is unmistakable: it permeates every part of the social economy, from the coiffure of the ladies to the preparation of the food. It has its sumptuary laws as well as its curriculum of learning. It sits in judgment not only on its own townsmen but on the rest of the world—enlightening, criticising, ostracizing a heedless universe—and non-conformity to Wentworth standards involves obliteration from Wentworth’s consciousness.

  In a world without traditions, without reverence, without stability, such little expiring centres of prejudice and precedent make an irresistible appeal to those instincts for which a democracy has neglected to provide. Wentworth, with its “tone,” its backward references, its inflexible aversions and condemnations, its hard moral outline preserved intact against a whirling background of experiment, had been all the poetry and history of Margaret Ransom’s life. Yes, what she had really esteemed in her husband was the fact of his being so intense an embodiment of Wentworth; so long and closely identified, for instance, with its legal affairs, that he was almost a part of its university existence, that of course, at a college banquet, he would inevitably speak for the bar!

  It was wonderful of how much consequence all this had seemed till now….

  II

  WHEN, punctually at ten minutes to seven, her husband had emerged from the house, Margaret Ransom remained seated in her bedroom, addressing herself anew to the difficult process of self-collection. As an aid to this endeavour, she bent forward and looked out of the window, following Ransom’s figure as it receded down the elm-shaded street. He moved almost alone between the prim flowerless grass-plots, the white porches, the protrusion of irrelevant shingled gables, which stamped the empty street as part of an American college town. She had always been proud of living in Hill Street, where the university people congregated, proud to associate her husband’s retreating back, as he walked daily to his office, with backs literary and pedagogic, backs of which it was whispered, for the edification of duly-impressed visitors: “Wait till that old boy turns—that’s so-and-so.”

  This had been her world, a world destitute of personal experience, but filled with a rich sense of privilege and distinction, of being not as those millions were who, denied the inestimable advantage of living at Wentworth, pursued elsewhere careers foredoomed to futility by that very fact.

  And now—!

  She rose and turned to her work-table where she had dropped, on entering, the handful of photographs that Guy Dawnish had left with her. While he sat so close, pointing out and explaining, she had hardly taken in the details; but now, on the full tones of his low young voice, they came back with redoubled distinctness. This was Guise Abbey, his uncle’s place in Wiltshire, where, under his grandfather’s rule, Guy’s own boyhood had been spent: a long gabled Jacobean facade, many-chimneyed, ivy-draped, overhung (she felt sure) by the boughs of a venerable rookery. And in this other picture—the walled garden at Guise—that was his uncle, Lord Askern, a hale gouty-looking figure, planted robustly on the terrace, a gun on his shoulder and a couple of setters at his feet. And here was the river below the park, with Guy “punting” a girl in a flapping hat—how Margaret hated the flap that hid the girl’s face! And here was the tennis-court, with Guy among a jolly cross-legged group of youths in flannels, and pretty girls about the tea-table under the big lime: in the centre the curate handing bread and butter, and in the middle distance a footman approaching with more cups.

  Margaret raised this picture closer to her eyes, puzzling, in the diminished light, over the face of the girl nearest to Guy Dawnish—bent above him in profile, while he laughingly lifted his head. No hat hid this profile, which stood out clearly against the foliage behind it.

  “And who is that handsome girl?” Margaret had said, detaining the photograph as
he pushed it aside, and struck by the fact that, of the whole group, he had left only this member unnamed.

  “Oh, only Gwendolen Matcher—I’ve always known her—. Look at this: the almshouses at Guise. Aren’t they jolly?”

  And then—without her having had the courage to ask if the girl in the punt were also Gwendolen Matcher—they passed on to photographs of his rooms at Oxford, of a cousin’s studio in London—one of Lord Askern’s grandsons was “artistic”—of the rose-hung cottage in Wales to which, on the old Earl’s death, his daughter-in-law, Guy’s mother, had retired.

  Every one of the photographs opened a window on the life Margaret had been trying to picture since she had known him—a life so rich, so romantic, so packed—in the mere casual vocabulary of daily life—with historic reference and poetic allusion, that she felt almost oppressed by this distant whiff of its air. The very words he used fascinated and bewildered her. He seemed to have been born into all sorts of connections, political, historical, official, that made the Ransom situation at Wentworth as featureless as the top shelf of a dark closet. Some one in the family had “asked for the Chiltern Hundreds”—one uncle was an Elder Brother of the Trinity House—some one else was the Master of a College—some one was in command at Devonport—the Army, the Navy, the House of Commons, the House of Lords, the most venerable seats of learning, were all woven into the dense background of this young man’s light unconscious talk. For the unconsciousness was unmistakable. Margaret was not without experience of the transatlantic visitor who sounds loud names and evokes reverberating connections. The poetry of Guy Dawnish’s situation lay in the fact that it was so completely a part of early associations and accepted facts. Life was like that in England—in Wentworth of course (where he had been sent, through his uncle’s influence, for two years’ training in the neighbouring electrical works at Smedden)—in Wentworth, though “immensely jolly,” it was different. The fact that he was qualifying to be an electrical engineer—with the hope of a secretaryship at the London end of the great Smedden Company—that, at best, he was returning home to a life of industrial “grind,” this fact, though avowedly a bore, did not disconnect him from that brilliant pinnacled past, that many-faceted life in which the brightest episodes of the whole body of English fiction seemed collectively reflected. Of course he would have to work—younger sons’ sons almost always had to—but his uncle Askern (like Wentworth) was “immensely jolly,” and Guise always open to him, and his other uncle, the Master, a capital old boy too—and in town he could always put up with his clever aunt, Lady Caroline Duckett, who had made a “beastly marriage” and was horribly poor, but who knew everybody jolly and amusing, and had always been particularly kind to him.

  It was not—and Margaret had not, even in her own thoughts, to defend herself from the imputation—it was not what Wentworth would have called the “material side” of her friend’s situation that captivated her. She was austerely proof against such appeals: her enthusiasms were all of the imaginative order. What subjugated her was the unexampled prodigality with which he poured for her the same draught of tradition of which Wentworth held out its little teacupful. He besieged her with a million Wentworths in one—saying, as it were: “All these are mine for the asking—and I choose you instead!”

  For this, she told herself somewhat dizzily, was what it came to—the summing-up toward which her conscientious efforts at self-collection had been gradually pushing her: with all this in reach, Guy Dawnish was leaving Wentworth reluctantly.

  “I was a bit lonely here at first—but now!“ And again: “It will be jolly, of course, to see them all again—but there are some things one doesn’t easily give up….”

  If he had known only Wentworth, it would have been wonderful enough that he should have chosen her out of all Wentworth—but to have known that other life, and to set her in the balance against it—poor Margaret Ransom, in whom, at the moment, nothing seemed of weight but her years! Ah, it might well produce, in nerves and brain, and poor unpractised pulses, a flushed tumult of sensation, the rush of a great wave of life, under which memory struggled in vain to reassert itself, to particularize again just what his last words—the very last—had been….

  When consciousness emerged, quivering, from this retrospective assault, it pushed Margaret Ransom—feeling herself a mere leaf in the blast—toward the writing-table from which her innocent and voluminous correspondence habitually flowed. She had a letter to write now—much shorter but more difficult than any she had ever been called on to indite.

  “Dear Mr. Dawnish,” she began, “since telephoning you just now I have decided not—”

  Maria’s voice, at the door, announced that tea was in the library: “And I s’pose it’s the brown silk you’ll wear to the speaking?”

  In the usual order of the Ransom existence, its mistress’s toilet was performed unassisted; and the mere enquiry—at once friendly and deferential—projected, for Margaret, a strong light on the importance of the occasion. That she should answer: “But I am not going,” when the going was so manifestly part of a household solemnity about which the thoughts below stairs fluttered in proud participation; that in face of such participation she should utter a word implying indifference or hesitation—nay, revealing herself the transposed, uprooted thing she had been on the verge of becoming; to do this was—well! infinitely harder than to perform the alternative act of tearing up the sheet of note-paper under her reluctant pen.

  Yes, she said, she would wear the brown silk….

  III

  ALL the heat and glare from the long illuminated table, about which the fumes of many courses still hung in a savoury fog, seemed to surge up to the ladies’ gallery, and concentrate themselves in the burning cheeks of a slender figure withdrawn behind the projection of a pillar.

  It never occurred to Margaret Ransom that she was sitting in the shade. She supposed that the full light of the chandeliers was beating on her face—and there were moments when it seemed as though all the heads about the great horse-shoe below, bald, shaggy, sleek, close-thatched, or thinly latticed, were equipped with an additional pair of eyes, set at an angle which enabled them to rake her face as relentlessly as the electric burners.

  In the lull after a speech, the gallery was fluttering with the rustle of programmes consulted, and Mrs. Sheff (the Brant girl’s aunt) leaned forward to say enthusiastically: “And now we’re to hear Mr. Ransom!”

  A louder buzz rose from the table, and the heads (without relaxing their upward vigilance) seemed to merge, and flow together, like an attentive flood, toward the upper end of the horse-shoe, where all the threads of Margaret Ransom’s consciousness were suddenly drawn into what seemed a small speck, no more—a black speck that rose, hung in air, dissolved into gyrating gestures, became distended, enormous, preponderant—became her husband “speaking.”

  “It’s the heat—” Margaret gasped, pressing her handkerchief to her whitening lips, and finding just strength enough left to push back farther into the shadow.

  She felt a touch on her arm. “It is horrible—shall we go?” a voice suggested; and, “Yes, yes, let us go,” she whispered, feeling, with a great throb of relief, that to be the only possible, the only conceivable, solution. To sit and listen to her husband now—how could she ever have thought she could survive it? Luckily, under the lingering hubbub from below, his opening words were inaudible, and she had only to run the gauntlet of sympathetic feminine glances, shot after her between waving fans and programmes, as, guided by Guy Dawnish, she managed to reach the door. It was really so hot that even Mrs. Sheff was not much surprised—till long afterward….

  The winding staircase was empty, half dark and blessedly silent. In a committee room below Dawnish found the inevitable water jug, and filled a glass for her, while she leaned back, confronted only by a frowning college President in an emblazoned frame. The academic frown descended on her like an anathema when she rose and followed her companion out of the building.

  Ha
mblin Hall stands at the end of the long green “Campus” with its sextuple line of elms—the boast and the singularity of Wentworth. A pale spring moon, rising above the dome of the University library at the opposite end of the elm-walk, diffused a pearly mildness in the sky, melted to thin haze the shadows of the trees, and turned to golden yellow the lights of the college windows. Against this soft suffusion of light the Library cupola assumed a Bramantesque grace, the white steeple of the congregational church became a campanile topped by a winged spirit, and the scant porticoes of the older halls the colonnades of classic temples.

  “This is better—” Dawnish said, as they passed down the steps and under the shadow of the elms.

  They moved on a little way in silence before he began again: “You’re too tired to walk. Let us sit down a few minutes.”

  Her feet, in truth, were leaden, and not far off a group of park benches, encircling the pedestal of a patriot in bronze, invited them to rest. But Dawnish was guiding her toward a lateral path which bent, through shrubberies, toward a strip of turf between two of the buildings.

  “It will be cooler by the river,” he said, moving on without waiting for a possible protest. None came: it seemed easier, for the moment, to let herself be led without any conventional feint of resistance. And besides, there was nothing wrong about this—the wrong would have been in sitting up there in the glare, pretending to listen to her husband, a dutiful wife among her kind….

  The path descended, as both knew, to the chosen, the inimitable spot of Wentworth: that fugitive curve of the river, where, before hurrying on to glut the brutal industries of South Wentworth and Smedden, it simulated for a few hundred yards the leisurely pace of an ancient university stream, with willows on its banks and a stretch of turf extending from the grounds of Hamblin Hall to the boat houses at the farther bend. Here too were benches, beneath the willows, and so close to the river that the voice of its gliding softened and filled out the reverberating silence between Margaret and her companion, and made her feel that she knew why he had brought her there.